by James Webb ‧ RELEASE DATE: Oct. 5, 2004
But there’s plenty of good information and interpretation, amplifying David Hackett Fischer’s indispensable Albion’s Seed...
Pugnacious, bibulous, restless, pious: the Scots-Irish have fueled stereotypes and filled the White House, to say nothing of the ranks of the military.
Though millions strong, writes Webb, these Scots-Irish backbone-of-America types “don’t go for group-identity politics any more than they like to join a union.” Instead, they live quietly independent lives marked by hard work and faith, punctuated by blasts of country music and shotguns. Chalk up one stereotype, that of the southern redneck, which has a lot of truth in it but needs complicating; as Webb sagely remarks, “In the American South it has always been said that one cannot shoot an arrow into the air without having it land on a soldier, a musician, or a writer.” Or an inventor, inasmuch as he reports the development in one Virginia country alone of the mechanical reaper and the sewing machine. Webb does a fine job of tracing the Scots-Irish—mostly Scottish Presbyterians first transplanted to Ulster, then to the American colonies—from antiquity to the American Revolution, when their cantankerousness and dislike for the English crown made them natural rebels. (Webb, a former assistant secretary of defense and Marine officer, likens them to Iraqi insurgents today, though he doesn’t press the point too hard.) He moves the narrative on to the Civil War, when the Scots-Irish comprised the bulk of the Confederate army, which Webb vigorously defends; and into modern history, with exemplars like Ronald Reagan and Bill Clinton to speak for the clans. (“It is even said that the patrician George W. Bush has a Kentucky-born, Scots-Irish ancestor,” Webb whispers.) His point that Scots-Irish people have a distinct culture in which they should take pride is not news to the people themselves, so some may wonder at Webb’s program when he urges, “My culture needs to rediscover itself, and in so doing to regain its power to shape the direction of America.”
But there’s plenty of good information and interpretation, amplifying David Hackett Fischer’s indispensable Albion’s Seed (1989) and Arthur Herman’s How the Scots Invented the Modern World (2001).Pub Date: Oct. 5, 2004
ISBN: 0-7679-1688-3
Page Count: 384
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2004
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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