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THE EMPEROR'S GENERAL

A worm’s-eye fable of how Machiavellian General Douglas MacArthur, having won the war in the Pacific, goes on to wage peace against his subtle former adversaries. When V-J Day catapults MacArthur from five-star general to Supreme Commander of Occupied Japan, the old fox reacts as if he’s spent his entire life preparing for this chance. Laying siege to the princes and diplomats whose country his forces have so recently been bombing, MacArthur craftily wangles his way into a position of unprecedented power and prestige. The general sees his calling as a high one: to prepare the way to an orderly peacetime economy and culture for the conquered nation, to bring war criminals to speedy justice, and to urge a democratic constitution on a country whose dynastic history stretches back thousands of years. Yet his private prejudices and grievances, dispassionately recalled by his aide-de-camp, Captain Jay Marsh, sway his every plan, first obliquely and then ever more directly, as he vows to protect Emperor Hirohito’s family from prosecution because he needs an intact monarchy to sponsor his reforms, and as he prosecutes honorable, innocent General Tomoyuki Yamashita, the Tiger of Malaya, for the 1937 rape of Nanking in order to shield perpetrators he can—t afford to accuse. MacArthur’s visionary flaws are echoed in a minor key by Jay, who, like his boss, compromises his romance with a beautiful Filipina at the Army’s behest, and—encouraged by the example of an exasperated prosecutor who manipulates MacArthur into dismissing him from the judge advocate’s staff and shipping him back stateside—ends up gambling his principles and future on an attempt to outmaneuver the wily general. Despite a lumbering opening and some plummy prose, Webb (Something to Die For, 1991, etc.) makes winning the Japanese peace look every bit as challenging and tragic as winning the war. (film rights to Scott Rudin/Paramount; Book-of-the-Month Club selection; $150,000 ad/promo budget; author tour)

Pub Date: April 28, 1999

ISBN: 0-7679-0076-6

Page Count: 416

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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