by James Wood ‧ RELEASE DATE: Aug. 1, 2008
Highly stimulating stuff—if it doesn’t make you hug your bookcase gratefully, you’re probably an incorrigible...
New Yorker staff writer Wood (Irresponsible Self: On Laughter and the Novel, 2004, etc.) channels E.M. Forster’s classic Aspects of the Novel in a book-length analysis of the techniques that make fiction “both artifice and verisimilitude.”
Adopting an enthusiast’s approach, the author examines classic and contemporary aesthetic choices, citing the works of several dozen favorite authors, including precursors of fiction (Homer, Shakespeare, Cervantes), consensus masters (Flaubert, Tolstoy, Austen, Henry James, Chekhov, Stendhal) and eminences still practicing (V.S. Naipaul, J.M. Coetzee, José Saramago, Ian McEwan). Wood occasionally gushes, as in his consideration of “free indirect style … [which allows us to] see things though …the character’s eyes and language but also through the author’s.” But he quickly composes himself, rebuking John Updike and Saul Bellow for allowing authorial mind-sets to infiltrate a character’s habits of thinking and speaking (in the former’s Terrorist and the latter’s Seize the Day). There follows a superb discussion of “Real and Literary Detail,” emphasizing “the moment when a single detail has suddenly enabled us to see a character’s thinking.” The centrality of characterization in the modern novel is linked to the interest of certain masters (notably Dostoevsky) in making psychological complexity dramatically interesting. In a parallel argument, Wood examines how rhythm and momentum are established through the skillful manipulation of simple everyday language (as in the best of D.H. Lawrence). Wood’s unalloyed delight in the achievements of the finest writers of fiction leads him to a closely reasoned and impassioned rejection of the ignorant canard claiming that realistic fiction is dead.
Highly stimulating stuff—if it doesn’t make you hug your bookcase gratefully, you’re probably an incorrigible “formalist-cum-structuralist.”Pub Date: Aug. 1, 2008
ISBN: 978-0-374-17340-1
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2008
Share your opinion of this book
More by James Wood
BOOK REVIEW
by James Wood
BOOK REVIEW
by James Wood
BOOK REVIEW
by James Wood
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.