A compassionate tribute to hate-crime victims.
Currier (The Forever Marathon, 2013, etc.) explores Matthew Shepard’s murder in richly empathetic fiction.
Currier recently unearthed his manuscript, written in the wake of Matthew Shepard’s death in 1998. Though set in a small town in the South, “This story could happen anywhere.” Rick and A.J. meet Danny, a gay college student, in a bar and beat him in their truck before leaving him for dead, tied to a fence post. Subsequent chapters bounce between back story and aftereffects, deftly interspersing hospital and police station scenes with vignettes from Danny’s everyday life. After a roadside rape and attempted suicide, Danny wonders how to be a homosexual in the Bible Belt. It is simple to hook up with strangers but impossible “To be out, open, romantically gay in a small town like this.” Written in powerful, choppy sentences and consciously patterned after screenplays and true-crime stories, Currier’s novel is told in the present tense, shifting among the perspectives of the many characters involved. Effective litanies of phrases beginning with “He will not”—“He will not see the snow. But he will feel the cold, his arms numb”—contrast Danny’s carefree activities on the day before the crime with his current incapacitation, revealing the legacy he will not live to see. One bravely cinematic chapter traces a blood sample’s journey to the laboratory. Technical and emotive languages are given equal importance: “his neural repatternings are transforming him into pure spirit”; “Cords snake around chairs, looking for outlets.” Currier’s sympathy also extends to the perpetrators, as he uncovers sexual traumas in their pasts. In a sensitive juxtaposition of Christian responses to homosexuality, the openness of Rev. Fletcher combats the intolerance of Rev. White, who brings his “God Hates Fags” message to town to boycott Danny’s funeral. Readers might find it difficult to keep the many characters straight, especially since most chapters simply open with “He” or “She,” but the large cast shows how widely a crime’s ripples extend. “The story mushrooms, grows branches” and eventually affects us all,” Currier writes. In 1998, he felt “the crime was analyzed and politicized but oddly not humanized”; here he imbues it with human warmth.
A compassionate tribute to hate-crime victims.Pub Date: Oct. 9, 2014
ISBN: 978-1937627201
Page Count: 356
Publisher: Chelsea Station Editions
Review Posted Online: Sept. 9, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Review Program: Kirkus Indie
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Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
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