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Until My Heart Stops

A remarkable collection of hard-earned, melancholic wisdom.

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Novelist Currier (A Gathering Storm, 2014, etc.) collects four decades of essays in this nonfiction volume.

In the 59 pieces contained in this volume, which Currier says is “as close as I may come to publishing a memoir,” he examines the relationships, jobs, passions, and health problems that shaped the course of his long writing life. From his childhood in conservative, suburban Georgia to his experiences in New York City’s gay community during the AIDS crisis to developments in LGBT civil rights, Currier mines his memory to present an intimate, if necessarily incomplete, self-portrait composed over many years. In “Passing Grades,” a 30-year-old Currier worries that he’s becoming less attractive to strangers on the street. “That Summer” has the author returning to a beach town where he once spent a season with a close friend, now dead. In “Lessons,” he describes coming out of self-imposed celibacy to have an affair with a man who’s married to a woman. These are all morality tales of a sort that an older man might wish he could share with his younger self. In many cases, the author attempts to figure out just where things went wrong—where a mistake was made, what it taught him, and whether he learned enough, at the time of writing, not to make such an error again. Currier is a masterful essayist, adept at lingering over a meaningful detail or capturing a complex emotion in a simple phrase. Of remembering his deceased friend, for example, he writes: “ ‘My friend’ becomes an emptied phrase repeated throughout the years.” There’s also charming humor, as when he describes seeing his first musical, a touring production of The Unsinkable Molly Brown: “it was the most inspirational thing I had ever seen; it was as if I had personally discovered the face of Jesus on the side of a potato.” The mix of voices and perspectives, all from one man at different ages and states of maturity, gives this collection a kaleidoscopic quality, and a multifarious vision emerges that’s simultaneously fractured and whole.

A remarkable collection of hard-earned, melancholic wisdom.

Pub Date: Dec. 1, 2015

ISBN: 978-1-937627-17-1

Page Count: 430

Publisher: Chelsea Station Editions

Review Posted Online: Nov. 25, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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