A short but engaging novel with complex characterization and a straightforward storyline that ends on an optimistic note.
In Currier’s novel, an unnamed narrator navigates a life of almosts in his relationships with friends and lovers.
At one point, the speaker offers readers a quick framework for his musings, saying that this “story is a memoir in the form of a novel pretending to be a memoir.” After a life spent in Manhattan, where he faced the deaths of many friends from complications from AIDS, the gay storyteller and wanderer moves to a smaller college town and begins to work at an architecture firm. Conversationally, he reveals details of his personal relationships, both in the city and in his new space. Some involve the tragedies of friends, while others limn narcissistic lovers and companions. Readers catch glimpses of his past aspirations to be a writer. Set during an era of epidemic, the novel effectively describes how a missed phone call from a friend could be a missed chance to say goodbye. In lighter moments, though, it describes a narrator who can’t help telling stories but also expresses frustration about how he spends little time writing. As readers hear tales of friends gone too soon and failed attempts at love with cheaters or people soon to die, they effectively catch glimpses of how they shape the narrator’s outlook and sense of self. The book is filled with compelling characters and its well-paced storyline gives the impression that the novel is just a start; there could easily be another engaging 200 pages about what happens next. The revelations are hopeful, as when the narrator discovers his role in finding love: “My expectations changed when I realized I was not as honest and truthful and trusting as I wanted another man to be.” Overall, it’s a relatable work that gives a voice to a period of suffering.
A short but engaging novel with complex characterization and a straightforward storyline that ends on an optimistic note.Pub Date: Oct. 16, 2024
ISBN: 9781937627331
Page Count: 208
Publisher: Chelsea Station Editions
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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