A sometimes sweet, sometimes bitter take on family dynamics.
Attenberg follows the women of one family for almost four decades, exploring how each woman’s self-image and ambitions impact—and are impacted by—the others.
In 1971, the Cohens spend Saturday nights as a family playing Scrabble in suburban Chicago. Ailing Holocaust survivor Rudy loves his family but maintains a separate, private life. His wife, Frieda, struggles with anxiety and insecurity. Mild-natured 16-year-old Nancy knows she will always be less special than her brilliant, emotionally intense sister, 12-year-old Shelly. With Rudy’s early death a few years later, the family splinters. Frieda moves to Florida and spirals into alcoholic poverty. Shelly becomes a rising star in Seattle’s tech startup world. Nancy quits college to have a baby, embracing the debatable security of a shaky marriage. Careerist Shelly cannot relate to defensively domestic Nancy, and both avoid contact with troubled Frieda. In the years that follow, the women’s professional and emotional trajectories twist and turn in predictable yet sometimes surprising ways. Nancy’s daughter, Jess, grows into a young woman more comfortable in her skin (literally, given her tattoos) than her forebears and becomes their point of connection. While Attenberg organizes the narrative around vaguely ironic subject headings—“Affairs,” “Emergencies,” etc.—her message is clear: Belonging to a family can be redemptive, whatever its deficiencies. Sexual identity and secrecy are other major themes. Undercurrents of romantic love between women sprout and flourish, while male characters fare badly. Only Rudy, whose homosexuality remains a secret until uncovered by Shelly and a delighted Jess years after his death, is lovable. The straight men are detestable. Both Nancy’s husband and Shelly’s boss do considerable harm thanks to “wandering dick disease.” Shelly’s husband is an obnoxious irrelevance. Attenberg can be harsh; her wry authorial voice creates an emotional distance even from the women, as do her occasional asides telegraphing the future. But the vicissitudes of her characters are undeniably absorbing.
A sometimes sweet, sometimes bitter take on family dynamics.Pub Date: Sept. 24, 2024
ISBN: 9780063039841
Page Count: 240
Publisher: Ecco/HarperCollins
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
