Smart, full of curveballs, and perfect for the beach.
Having grown up in Sag Harbor, a historic Long Island town dependent on summer tourism, Emma Mapson thrives on hard work. But when a near stranger bequeaths his multimillion dollar estate to her daughter, Emma’s world spins out of control.
Years of long shifts at The American Hotel left Emma with little time for her 14-year-old daughter, Penny, who suffers from OCD and anxiety. Penny’s absentee father, Mark, who divorced Emma to pursue his dreams of acting and producing, hasn’t helped much; even his child support payments are late. Luckily for Emma, they have Angus, an elderly neighbor who moved in with them after the death of his wife. Luckily for Penny, she has Henry Wyatt, an artist who fled the New York scene for serenity in Sag Harbor and who has taken her under his wing, teaching her to draw while she teaches him about graphic novels. When Henry dies unexpectedly, he inexplicably leaves Windsong, his gorgeous house full of priceless artwork, to Penny, not his longtime manager and estranged best friend, Bea Winstead. And Bea is angry. She sweeps into town with her reluctant assistant, Kyle, who seems more interested in Emma and ship renovation than Bea’s crusade. While threatening Emma with a lawsuit, Bea illegally takes up residence in Windsong. She soon discovers, however, that Henry had been giving his drawings away to the residents of Sag Harbor, and those drawings might just tell a story explaining why Henry left Windsong to the wrong person. Brenner (The Husband Hour, 2018, etc.) skillfully ratchets up the tension as Bea searches for answers and the Mapsons struggle to gain control of not only the estate, but also Penny’s OCD. And then Mark shows up, ready to fight dirty for custody and money.
Smart, full of curveballs, and perfect for the beach.Pub Date: May 7, 2019
ISBN: 978-0-316-47679-9
Page Count: 368
Publisher: Little, Brown
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."
Back to St. John with the Steele family, whose tragic loss and horrifying discovery have yielded an exciting new life.
In Winter in Paradise (2018), Hilderbrand introduced Midwestern magazine editor Irene Steele and her adult sons, Baker and Cash, then swept them off to the island of St. John after paterfamilias Russell Steele was killed in a helicopter crash with his secret mistress, leaving a preteen love child and a spectacular villa. While the first volume left a lot up in the air about Russell’s dubious business dealings and the manner of his death, this installment fills in many of the blanks. All three Steeles made new friends during their unexpected visit to the island in January, and now that’s resulted in job offers for Irene and Cash and the promise of new love for single dad Baker. Why not move to St. John and into the empty villa? Mother, sons, and grandson do just that. Both the dead mistress’s diary and a cadre of FBI agents begin to provide answers to the questions left dangling in Volume 1, and romantic prospects unfold for all three Steeles. Nevertheless, as a wise person once said, shit happens, combusting the family’s prospects and leading to a cliffhanger ending. On the way, there will be luscious island atmosphere, cute sundresses, frozen drinks, “slender baguette sandwiches with duck, arugula and fig jam,” lemongrass sugar cookies, and numerous bottles of both Krug and Dom Pérignon, the latter served by a wiseass who offers one of his trademark tasting notes: “This storied bubbly has notes of Canadian pennies, your dad’s Members Only jacket, and…‘We Are Never, Ever, Ever Getting Back Together.’ ” You'll be counting the days until you can return to the Virgin Islands with these characters in the concluding volume of the trilogy.
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."Pub Date: Oct. 8, 2019
ISBN: 978-0-316-43557-4
Page Count: 352
Publisher: Little, Brown
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
