by Jamie Kiffel-Alcheh ; illustrated by Sarah-Jayne Mercer ‧ RELEASE DATE: Aug. 1, 2019
This expression of a core Jewish value should resonate with readers of all ethnic groups and faiths.
A series of kindhearted acts and good deeds by a community’s residents illustrates how the world can be a better place.
The opening narrative offers a more nuanced and expansive translation of the basic Hebrew idiom than is noted in the subtitle. “It’s everything. It’s all. It’s whole. / Entire. The Most. In Hebrew, it’s kol.… / And what’s kavod? It’s gee! It’s wow. / It’s honor, respect. It’s whoa, holy cow!” The two Hebrew words put together literally translate to “all respect,” making it a powerful message to acknowledge when something good and important is achieved. Various scenarios follow this introduction, depicting a harmonious community of children performing simple altruistic acts that summon a “Kol Hakavod!” Such acts as giving up a seat on the subway for an elderly person, feeding the dog, recycling, giving money to charity, visiting an ailing friend, inviting a new classmate to sit with you, and so on may seem minor but will produce major goodwill. The text rhymes—a little unevenly—and is illustrated with cartoon figures colored digitally (sometimes with bits of fabric swatches that add interest). The cast is made up of an assortment of races and ages, and one child uses a wheelchair. The message is clear: How one conducts oneself throughout life is important—at school, in the community, and beyond.
This expression of a core Jewish value should resonate with readers of all ethnic groups and faiths. (Picture book. 4-7)Pub Date: Aug. 1, 2019
ISBN: 978-1-5415-2211-4
Page Count: 24
Publisher: Kar-Ben
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: June 3, 2025
Quirky, familiar fun for series devotees.
After Duncan finds his crayons gone—yet again—letters arrive, detailing their adventures in friendship.
Eleven crayons send missives from their chosen spots throughout Duncan’s home (and one from his classroom). Red enjoys the thrill of extinguishing “pretend fires” with Duncan’s toy firetruck. White, so often dismissed as invisible, finds a new calling subbing in for the missing queen on the black-and-white chessboard. “Now everyone ALWAYS SEES ME!…(Well, half the time!)” Pink’s living the dream as a pastry chef helming the Breezy Bake Oven, “baking everything from little cupcakes…to…OTHER little cupcakes!” Teal, who’s hitched a ride to school in Duncan’s backpack, meets the crayons in the boy’s desk and writes, “Guess what? I HAVE A TWIN! How come you never told me?” Duncan wants to see his crayons and “meet their new friends.” A culminating dinner party assembles the crayons and their many guests: a table tennis ball, dog biscuits, a well-loved teddy bear, and more. The premise—personified crayons, away and back again—is well-trammeled territory by now, after over a dozen books and spinoffs, and Jeffers once more delivers his signature cartooning and hand-lettering. Though the pages lack the laugh-out-loud sight gags and side-splittingly funny asides of previous outings, readers—especially fans of the crayons’ previous outings—will enjoy checking in on their pals.
Quirky, familiar fun for series devotees. (Picture book. 4-7)Pub Date: June 3, 2025
ISBN: 9780593622360
Page Count: 40
Publisher: Philomel
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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