by Jamie Lee Curtis ; illustrated by Laura Cornell ‧ RELEASE DATE: Sept. 20, 2016
An excellent springboard for school-age kids to discover who they are and where they come from.
In their latest venture, Curtis and Cornell tackle the question of identity and deconstruct it to a level young people can understand.
To prompt her students’ journeys of self-discovery, the Asian-American teacher/narrator starts by telling the story of her great- grandmother who “came from a far, distant place. She came on a boat with just this small case” filled with the things she loved best. “What would YOU take?” the teacher asks her class. Curtis does a fine job spanning the broad spectrum of America’s children today (as does Cornell in her playful, full-of-details signature style). “My baby-tooth tin,” says a blonde, white girl with orthodontic headgear. “Abuelo’s beret, my ukulele, my St. Christopher medal to look out for me,” says a grinning Latino boy. Most choices are to be expected—a Barbie doll, Nintendo DS—but some are perplexingly from the wrong generation: how many kids will get “my Groucho Marx glasses / Weird Al–signed CD”? Overall, kids will find Curtis’ “to know yourself, you must know your roots” message resonant and will be scrambling to fill the pop-up suitcase at the back of the book with items that say to the world, “HI THERE, THIS IS ME!” (The library edition omits the problematic-for-circulation final pop-up flourish.)
An excellent springboard for school-age kids to discover who they are and where they come from. (Picture book. 5-9)Pub Date: Sept. 20, 2016
ISBN: 978-0-7611-8011-1
Page Count: 32
Publisher: Workman
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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