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SUNNY GALE

A moving, memorable, and fully realized rodeo saga.

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In Forbes’ historical novel, a woman fights for the right to compete in rodeos—and becomes a star in the process.

When Hannah Brandt, who comes from a hardscrabble background in Ohio and Nebraska, first gets to ride a horse in 1895 at the age of 14,she realizes that there is no going back to the way things were: Her destiny is to be a rodeo star and break new ground as a female bronco rider. She wins first place in a race at the Cheyenne Frontier Days rodeo at 18, and soon she’s known by a new name: Sunny Gale. Her marriage to her first husband, Luke Mangum, ends in divorce and she’s taken in by the Pickering clan, who are rodeo royalty. After she marries Tad Pickering, her star continues to rise as she and her spouse amaze crowds with “Roman Riding,” each of them standing astride two galloping horses. When tragedy occurs, Sunny quits the clan and moves on again, leaving behind her mother, Francine; her daughter, Mollie; and her son, Scott. She experiences more ups and downs as the years go by, including times of great sadness. She finds a refuge in New Mexico with one-legged rancher Angus Laroche, who dispenses tough love to her when she really needs it. But her love life continues to be complicated, and the novel’s resolution sees her life come full circle, after a fashion.

This is a story of rodeos, marriages, sexism, and social mores—all churned together. In a wonderful afterword, Forbes offers a little-known real-life account of when women competed in the roughest of rodeo events from the very end of the 19th century to the early 1930s, In fact, Sunny Gale is modeled on the real-life Prairie Rose Henderson, and her rival, Ruth Pickering, is inspired by Bonnie McCarroll. These women’s competitions became as big a draw as the men’s, and they were quite lucrative; it was only after some tragic mishaps that censorious men took the opportunity to subjugate female riders again. The uneasy truce between the sexes is evident on every page of the novel; for example, after Hannah’s first outing and win, Luke proudly announces to the press that she’s “Mrs. Luke Mangum.” However, it’s made clear that, for Sunny, the rodeo always comes first—no matter how rough that is on her spouses and, notably, on her children. Forbes effectively portrays her as a sympathetic rather than annoyingly self-involved. Most readers will understand her actions, simply because she’s consistently self-aware and never forgets the costs of her choices. Forbes is an experienced author, and her latest novel is beautifully, even poetically, written with well-developed characters. At one point, while sidelined by pregnancy, Sunny glumly realizes that “fecundity, not horsemanship, was the exalted state toward which women were to aspire.” Yet, years later, reflecting on the vital dates on Mollie’s tombstone, a stricken Sunny gazes on “Time locked in brackets which even the stoutest heart couldn’t break.”

A moving, memorable, and fully realized rodeo saga.

Pub Date: May 30, 2024

ISBN: 9781941052723

Page Count: 340

Publisher: Pronghorn Press

Review Posted Online: April 4, 2024

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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