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GUNK BABY

Funny, bold, capacious, and more than a little exhausting—this book mirrors modern life.

The second novel by young Australian writer Lau is a maximalist caper set in the most achingly existential of modern locales: a suburban shopping mall.

Twenty-four-year-old Leen is adrift in her life. She and her mother settled in Par Mars, a suburb of carefully anonymizing subdivisions, when Leen was a child because they were attracted to “the tiredness of it, the bored unattractiveness of it, the lonely, antisocial nature of it, that made [them] both look inward.” Both her parents have since moved on, and Leen is left crashing somewhat indefinitely in her friend Doms’ living room, taking courses in massage therapy, and watching analysis videos of movies on her phone. With seed money from her peripatetic father and instruction from her mother—who has recently started a “healing business” in Hong Kong—Leen opens an ear-cleaning and massage studio in the Topic Heights shopping center, which sits in the center of the Par Mars suburb and represents “the exact summation of every need and personality of the people residing in its hem.” Though both Par Mars and Topic Heights strive to create the impression of regulation, order, and predictably scaled progress, there are signs that things are starting to come loose at the seams. Vic, Doms’ Nigerian boyfriend, is beaten in the street in a possibly racially motivated attack, and the rising unrest among the low-wage workers in Topic Heights is an expression of the growing social divide between people like Peggy—the CEO of the shopping complex, who facilitates drug-fueled swinger parties at her hilltop house on the coastal side of the estates—and people like Jean Paul, a nihilist pharmacy assistant who hosts social resistance meetings at the East Par Mars Community Center. As her business founders, Leen becomes increasingly involved with Jean Paul’s Resistance Acts—which begin as essentially harmless pranks against Topic Heights management but quickly escalate into psychological torment and then real bodily harm—even as she starts to doubt the purity of his proletariat motives. Lau’s second novel treads similar ground as Pink Mountain on Locust Island (2020), her debut take on Gen Z alienation, but with a hyperconscious maximalism that occasionally overwhelms the reader with the equity of its attention. There is so much to see in this novel that the reader is sometimes at a loss for where to look.

Funny, bold, capacious, and more than a little exhausting—this book mirrors modern life.

Pub Date: Dec. 13, 2022

ISBN: 978-1-662-60145-3

Page Count: 352

Publisher: Astra House

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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