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THE LONG HITCH HOME

Readers who have been waiting for Tucker Max to travel more fully will be thrilled to discover Maslin’s antics, which will...

An ambitious, uneven account of hitchhiking across three continents, from a smart but surprisingly immature British travel writer.

Beginning on the island of Tasmania in Southern Australia, Maslin (Socialist Dreams and Beauty Queens: A Couchsurfer's Memoir of Venezuela, 2011, etc.) set out to travel home to London relying entirely on free rides from strangers. The author spends just as much time describing the characters he met—with their strange customs and languages—as on painting a full picture of the places he visited. After recounting a ride that delivered him “into the Indonesian equivalent of the Sopranos,” Maslin devotes an entire chapter to describing what he sees as key in understanding modern Indonesia: “the bloody legacy of the country’s former dictator…and the role Western governments…played in his rise to power.” The author’s use of footnotes helps him expand on and support his opinionated political views and well-researched accounts of history, which give context to his personal experiences. He also employs footnotes less seriously—e.g., when a Thai man asked about the size of a certain body part of Maslin’s, his response, “Erm, sufficient,” is accompanied by this footnote: “Remember that British understatement a moment ago?” The author’s boyish humor and privilege can come across less than favorably, such as when he throws a “petulant” fit at a local tour operator or the ways in which he refers to women—e.g., a language confusion in China resulted in “a rather worn-looking middle-aged woman in high heels…classic mutton dressed as lamb” appearing at his hotel room door.

Readers who have been waiting for Tucker Max to travel more fully will be thrilled to discover Maslin’s antics, which will likely turn off some readers. However, those charmed by the author’s guile and those who choose to push past their annoyance will be rewarded with an honest and gripping travel narrative.

Pub Date: Feb. 3, 2015

ISBN: 978-1620878316

Page Count: 384

Publisher: Skyhorse Publishing

Review Posted Online: Dec. 6, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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