by Jamie Raskin ‧ RELEASE DATE: Jan. 4, 2022
A brilliant preface, one might guess, to further legal actions against the disgraced former president for his crimes.
The constitutional lawyer and U.S. Representative considers the events of Jan. 6, 2021, and the lawless administration that fomented them.
“How did we end up here, with fascists trashing our Capitol Building and killing people?” asks Raskin, who led the House’s second impeachment proceedings against the former president. His narrative has three strands. The first is personal looking out on the political, recounting the experiences of his father, one of John Kennedy’s “best and brightest,” who left government in opposition to the nuclear arms race. More effective, and saddening, is the second: the suicide of his son, beset by anxiety and depression, who was buried on Jan. 5. The following day brought “strategic violence by extremist elements outside the Capitol…fusing with manipulative tactics inside the Capitol to coerce Vice President Pence and Congress to overthrow the electoral votes in the states and force us into a contingent election.” Raskin makes two related things eminently clear. First, he and other House leaders were prepared for the Republicans’ coercive ploy, albeit surprised that Pence, “despite lots of genuflecting to the disseminators of the Big Lie,” did the right thing. What they were not prepared for, he writes, was an armed mob storming the Capitol and pursuing elected officials through its corridors. For this, Raskin assigns a measure of self-blame, since Alexander Hamilton warned of just such a possibility in the first of the Federalist Papers, and the former president had recruited “thousands of the…‘very fine’ people he had seen marching on the fascist side of the street in 2017 in Charlottesville” to stage his insurrection. Raskin’s detailed account of the second impeachment proceedings goes on at great but not burdensome length, joining Adam Schiff’s Midnight in Washington as a close study in how such matters work.
A brilliant preface, one might guess, to further legal actions against the disgraced former president for his crimes.Pub Date: Jan. 4, 2022
ISBN: 978-0-063-20978-7
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 5, 2022
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
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