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MAIN CHARACTER ENERGY

A heartfelt debut.

A floundering 30-something searches for purpose at a writers residency in the French Riviera.

When 23-year-old Poppy Banks met her elusive Aunt Margot for the first time, she wasn't sure what to expect. But Margot, who had been estranged from Poppy’s mother for decades, turned out to be the exact opposite of her sister, who had always fat-shamed Poppy and belittled her dreams of becoming a novelist. Full of infectious joie de vivre and endless encouragement, Margot became a beloved figure in Poppy’s life through secret annual lunch dates over the next nine years. Now, at 32, Poppy is no closer to being a published writer outside her soul-sucking job at content mill Thought Buzz. When Poppy tells Margot she’s ready to give up on writing, Margot cryptically makes her promise to say yes to anything good that comes her way. Six months later, Margot is dead and Poppy learns the truth: Margot ran a writers colony at her villa on the French Riviera, and she left it to Poppy to keep or sell, with two stipulations: Poppy must remain in France for at least six months, and she must draft a book while she’s there. When Poppy arrives, she’s met with gorgeous vistas, a handsome man who works for The Colony, and a life-changing $700,000 offer to sell the estate. Is this Poppy’s big chance to become a writer or to get out for good? Poppy’s struggles with her body image often feel shoehorned into the plot, and her relationship with her mother—far more interesting than the book’s romance—isn’t explored deeply enough. But the author deftly captures how it feels to be of a certain age without possessing the life one had hoped for, and descriptions of the sun-soaked French Riviera are rich and vivid.

A heartfelt debut.

Pub Date: Sept. 5, 2023

ISBN: 9780778334200

Page Count: 300

Publisher: Park Row Books

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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