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THE HAUNTING OF HAJJI HOTAK

AND OTHER STORIES

Stunning, compassionate, flawless.

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A short story collection full of tragedy, humor, and keen insight.

In his second book, following the excellent novel 99 Nights in Logar (2019), Kochai offers a dozen short stories focusing on the lives of Afghans and Afghan Americans. The collection kicks off with “Playing Metal Gear Solid V: The Phantom Pain,” the story of Mirwais, a young man whose video gaming session turns surreal when he realizes the nonplayer characters he encounters seem to be his father and other relatives in 1980s Afghanistan. The story is told in the second person, lending an urgency to the narrative: “You’ve been shooting at Afghans in Call of Duty for so long that you’ve become oddly immune to the self-loathing you felt when you were first massacring wave after wave of militant fighters who looked just like your father.” In “The Tale of Dully’s Reversion,” the title character, a California student teacher who has lost his religion, finds himself transformed into a monkey when he steps in front of his devout mother’s prayer mat. Following an imam’s advice, his mother takes him to Afghanistan to fast at a martyr’s shrine in the hopes that it will make him human again. Things don’t work out that way, and the story ends in tragedy, though Kochai uses humor throughout, which somehow both leavens and amplifies the sadness. The collection ends with the stunning title story, about a West Sacramento family trying to hold itself together through financial difficulties. Like the first story, it’s told in second person, but the perspective this time is that of a shadowy figure, perhaps a government employee, spying on the family and developing an unexpected fascination with them even after determining they’re not a threat: “You should update your superiors. You should advise them to abort the operation. But you won’t.” Like every other story in this collection, it’s brilliant and written beautifully, with real precision and compassion. Kochai doesn’t make a false move in this book; like his previous one, it’s a master class in storytelling, and a beautiful reflection on a people that have endured decades upon decades of tragedy.

Stunning, compassionate, flawless.

Pub Date: July 19, 2022

ISBN: 978-0-59-329719-3

Page Count: 288

Publisher: Viking

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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