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THE HAUNTING OF HAJJI HOTAK by Jamil Jan Kochai Kirkus Star

THE HAUNTING OF HAJJI HOTAK

And Other Stories

by Jamil Jan Kochai

Pub Date: July 19th, 2022
ISBN: 978-0-59-329719-3
Publisher: Viking

A short story collection full of tragedy, humor, and keen insight.

In his second book, following the excellent novel 99 Nights in Logar (2019), Kochai offers a dozen short stories focusing on the lives of Afghans and Afghan Americans. The collection kicks off with “Playing Metal Gear Solid V: The Phantom Pain,” the story of Mirwais, a young man whose video gaming session turns surreal when he realizes the nonplayer characters he encounters seem to be his father and other relatives in 1980s Afghanistan. The story is told in the second person, lending an urgency to the narrative: “You’ve been shooting at Afghans in Call of Duty for so long that you’ve become oddly immune to the self-loathing you felt when you were first massacring wave after wave of militant fighters who looked just like your father.” In “The Tale of Dully’s Reversion,” the title character, a California student teacher who has lost his religion, finds himself transformed into a monkey when he steps in front of his devout mother’s prayer mat. Following an imam’s advice, his mother takes him to Afghanistan to fast at a martyr’s shrine in the hopes that it will make him human again. Things don’t work out that way, and the story ends in tragedy, though Kochai uses humor throughout, which somehow both leavens and amplifies the sadness. The collection ends with the stunning title story, about a West Sacramento family trying to hold itself together through financial difficulties. Like the first story, it’s told in second person, but the perspective this time is that of a shadowy figure, perhaps a government employee, spying on the family and developing an unexpected fascination with them even after determining they’re not a threat: “You should update your superiors. You should advise them to abort the operation. But you won’t.” Like every other story in this collection, it’s brilliant and written beautifully, with real precision and compassion. Kochai doesn’t make a false move in this book; like his previous one, it’s a master class in storytelling, and a beautiful reflection on a people that have endured decades upon decades of tragedy.

Stunning, compassionate, flawless.