by Jamilah Thompkins-Bigelow ; illustrated by Hatem Aly ‧ RELEASE DATE: June 6, 2023
An empowering and important tale of bravery.
A Black Muslim boy must summon the courage to ask for a place at school to pray.
It’s Muhammad’s seventh birthday, and Daddy has a special gift for him: a prayer rug that’s royal blue with gold stitching and that smells of incense. Muhammad is now old enough to independently offer the five Muslim daily prayers, or salat. He packs the rug before school the next day and plans to find a private place for salat. But asking his teacher for help feels harder than anticipated—especially after seeing mean passersby jeer at his father, who prays in the open while working as an ice cream truck driver. To claim a space, Muhammad will need to be brave, just like his joyful, hardworking Daddy. Once again, Thompkins-Bigelow (Mommy’s Khimar, 2018) has written a beautiful, positive, and welcome portrayal of Black Muslim families. Her melodic writing captures Muhammad’s feelings as he works to find his voice and advocate for his needs. Aly’s playful, energetic illustrations offer a nod to Islamic art traditions and work in tandem with the text to give readers a glimpse into Muhammad’s hopes, fears, and growth. An author’s note explains what salat is, the times and names of the prayers, how it is performed, and other relevant terms used within the text. (This book was reviewed digitally.)
An empowering and important tale of bravery. (Picture book. 5-8)Pub Date: June 6, 2023
ISBN: 9781984848093
Page Count: 40
Publisher: Random House Studio
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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