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I FEED HER TO THE BEAST AND THE BEAST IS ME

From the Feed Her to the Beast series , Vol. 1

Gory, gripping, and visceral; examines how supernatural and systemic power unleash the monster within all of us.

Laurence “Laure” Mesny puts body, mind, and soul into dancing for the Paris Ballet, but her dream of taking center stage remains unattainable until a mysterious supernatural force grants her the power to achieve her deepest desire.

The dancers train hard to perfect their skills, including performing while injured and sabotaging others, and they’re subjected to intense scrutiny, vituperative criticism, and a cutthroat environment. Even worse, the other dancers, who are overwhelmingly wealthy and white, bully Laure, who is Black, further isolating her and spurring her intense wish to be seen, respected, and loved. When dazzling Joséphine Moreau, the company’s highest ranked dancer, suggests Laure strike a bargain with a mysterious being, she eagerly jumps headfirst into the unknown. But when tragedy strikes and Laure begins to transform beyond recognition, she wonders if she has traded one nightmare situation for a host of new horrors beyond her control. Equal parts dark, supernatural fantasy and mystery, this layered tale utilizes a spectacular arsenal of body horror, mythology, and the occult to explore mature themes around desirability, the consequences of unchecked power, and the apathy toward violence against girls engendered by a system that values perfectionism, pedigree, and submission over people’s lives.

Gory, gripping, and visceral; examines how supernatural and systemic power unleash the monster within all of us. (Fantasy. 14-18)

Pub Date: Aug. 29, 2023

ISBN: 9781250909565

Page Count: 352

Publisher: Henry Holt

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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