Eight history-laden essays on bizarre beliefs, fears, and behaviors, plus two additional pieces on several unfortunate human anomalies—all serving as reminders of human gullibility, mendacity, and cruelty. Bondeson, a London-based physician who specializes in rheumatology and internal medicine and has a Ph.D. in experimental medicine, appears to have a genuine love for the weird: Many of the illustrations in this odd little work bear the note ``from the author's collection.'' Those fascinated by tabloid journalism's sensational reports of spontaneous human combustion or the birth of nonhuman creatures to human mothers will, however, probably be disappointed by Bondeson's rather scholarly approach. He traces the rise and decline of beliefs in these and other strange phenomena, reveals the motives of the parties involved, and offers a medical explanation where appropriate. Among his topics are the fear of premature burial and the extraordinary mechanical precautions taken by some to avoid that fate, the notion that a race of giants once walked the earth, and the belief in a race of people with tails. Bondeson then dwells on the cases of four unusual individuals whose fate was to be exhibited like sideshow freaks. Today the Hunterian, a London museum at the Royal College of Surgeons, houses the double skull of the Two-Headed Boy of Bengal and the skeletons of the huge Charles Byrne, known as the Irish Giant, and the tiny Caroline Crachami, a dwarf known as the Sicilian Fairy. The mummy of the fourth individual, Julia Pastrana, known as the Ape-Woman for her hairy body and misshapen face, is in a medical museum in Oslo, Norway. With its numerous illustrations of these poor creatures, this in-depth Believe It or Not can be seen as a continuation of the exploitation that marked their lives.
Pub Date: Nov. 1, 1997
ISBN: 0-8014-3431-9
Page Count: 320
Publisher: Cornell Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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