by Jan Bondeson ‧ RELEASE DATE: March 1, 2001
A necrobibliac classic (in the tradition of Nancy Mitford’s American Way of Death): it may keep you up all night—not from...
Grave matters are treated with wit and erudition in this study of premature burial throughout Western history, from physician Bondeson (The London Monster, 2000, etc.).
When one 18th-century French proponent for burial reform wrote that “Death is certain, since it is inevitable, but also uncertain, since its diagnosis is sometimes fallible,” he was living in a time when feather quill tickling, urine mouthwashing, and tobacco smoke enemas were all advocated as instruments in the precise diagnosis and certification of death. Bondeson’s macabre study begins in European antiquity and moves swiftly through the medieval superstitions and Renaissance legends. The bulk of the text deals with the period from 1750–1900 in Europe and America, years that correspond with the development of Western medicine as we know it. The author, a doctor himself, exhumes some fascinating material—from the history of the German Leichenhauser (waiting mortuaries—where bells were tied to the fingers of corpses should they bestir and shake themselves back to life) to the literary and philosophical overtones of the French debate on accuracy in death certification. Quacks, eccentrics, and charlatans run as rampant as earnest medical reformers throughout Bondeson’s account, while the forces of ambition and greed are as constant as those of fear and humanitarianism. He follows the history of premature interment up to the present day (yes, Virginia, cases of premature burial still occur), and one digressive chapter deals with the depiction of premature burial in art (particularly books and movies) from Edgar Allan Poe to Roger Corman. The impressive medical history uncovered by the author’s thoroughgoing research is well-presented and somewhat better than his argument (which falls somewhat by the wayside) that the fear of premature burial was ever as widespread as he suggests.
A necrobibliac classic (in the tradition of Nancy Mitford’s American Way of Death): it may keep you up all night—not from fear but from fascination.Pub Date: March 1, 2001
ISBN: 0-393-04906-X
Page Count: 256
Publisher: Norton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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