A fascinating introduction to an innovative artist worthy of a more effective text.
Greenberg and Jordan bring to life George E. Ohr, a 19th-century American potter largely unknown today and not especially successful in his own day.
George Ohr proclaimed himself the “Greatest Art Potter on Earth.” From the wild-eyed and mustachioed portrait on the cover to the artist’s own words sprinkled throughout the text in boldfaced, oversized typefaces, Ohr’s eccentricities and his penchant for self-promotion are clearly presented. What is not made clear is why Ohr’s work is considered great. What makes a George E. Ohr vase sell at auction nowadays for $84,000, and is he really America’s greatest art potter? Certainly his work is whimsical, as demonstrated by the many full-color photographs of Ohr’s work—vases tilting like leaning towers, a teapot with a spout like an open-mouthed serpent, and all manner of wrinkled, twisted and squashed vessels. Unfortunately, the text doesn’t equal the volume’s visual appeal. Poorly developed paragraphs, too-abrupt transitions between and within paragraphs, occasionally awkward phrasing and quirky punctuation make this volume less successful than it might have been. The backmatter, however, is interesting, including information about the Frank Gehry–designed museum that houses the Ohr collection and lessons in “How to Look at a Pot” and how to use a potter’s wheel.
A fascinating introduction to an innovative artist worthy of a more effective text. (bibliography, source notes) (Nonfiction. 7-12)Pub Date: Oct. 29, 2013
ISBN: 978-1-59643-810-1
Page Count: 56
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Oct. 1, 2013
A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.
This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.
Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.
A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)Pub Date: Sept. 24, 2024
ISBN: 9780063285712
Page Count: 128
Publisher: Harper/HarperCollins
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
BOOK REVIEW
BOOK REVIEW
Though a bit loose around the edges, a charmer nevertheless.
Tales of a fourth grade ne’er-do-well.
It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.
Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-64723-5
Page Count: 208
Publisher: Scholastic
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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