More literary comfort food, as Karon agreeably records another year in Mitford, the small town where every problem has a human face and where Father Tim, the Episcopalian rector, is always there to help. Again, like its three predecessors (These High, Green Hills, 1996, etc.), Karon's latest continues the stories of now-familiar Mitford citizens. And again, always at the heart of the action is 60-something Father Tim Kavanagh, who, with wife Cynthia, an author and illustrator, is now ``getting ready to. . . go out to Canaan''- -to retire. Kavanagh is one of those rare literary creations—a credible good man whose goodness comes from faith, humility, and a zest for life. He is a loving pastor who's ever ready to respond to his flock's needs. And needs they have. When Lace, the young girl he rescued from a violent father, is unable to help the ailing Harley, who once took care of her, Tim gives him a home in the rectory; he also helps recovering alcoholic Pauline find work, as well as the baby daughter she gave away; and he advises Winnie, owner of the local bakery, on how to thwart a crooked realtor. Meanwhile, there's a mayoral election to contend with, as Esther Cunningham is challenged by the suspiciously free-spending Mack Stroupe. And a Florida company wants to turn Fernbank, a Mitford landmark, into a spa. While Tim responds to crises, major and minor, he is poignantly aware that his days as a rector are numbered. But as he drives around on Christmas Eve, there's still much to celebrate (``if there were a poll-tax on joy this night of nights, he'd be dead broke''). A heart-warmer that diverts the spirit as it uncloyingly celebrates life in all its quirkiness in a small town. (First printing of 100,000; $150,000 ad/promo; author tour)
Pub Date: May 1, 1997
ISBN: 0-670-87485-X
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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