The literary equivalent of comfort food in a tale of middle- aged love in Mitford, a fictional North Carolina small town: a novel that restores rather than provokes as it deftly portrays men and women caught up in the human condition. Like its popular predecessors (At Home in Mitford and A Light in the Window, not reviewed), the author's latest celebrates the lives of several Mitford citizens while offering vignettes of many more. As the story opens, 60ish Episcopalian Rector Father Tim Kavanagh has just returned from his honeymoon. A longtime bachelor, he is touchingly surprised by the joy marriage to neighbor Cynthia has brought him. Cynthia, a children's book author and illustrator, is not, however, a traditional clergyman's wife—a shocking bit of news for Tim's secretary Emma and the Episcopal Church Women. Thanks, though, to a splendid parish tea party—a tea for which Cynthia redecorates the rectory and provides delicious food—the ladies are mollified. In the year that passes, the holidays (both religious and secular) are celebrated; the community reaffirms its identity; and the deaths of the town's oldest inhabitant and of a child are balanced by the birth of twins to Tim's young housekeeper. Meanwhile, though the setting is pastoral and the people good-hearted, Mitford is as subject to change and horror as the outside world. Misogynist J.C., the editor of the local paper, amazes the townsfolk by marrying Mitford's first woman police officer; Lacey, a young girl, though badly beaten by her father, refuses to leave home because she must care for her bedridden mother; Pauline Barlowe is set on fire by the man she lives with; and Tim's faith is sorely tested and then reaffirmed. Such a small canvas framed by faith could easily be smug and anodyne, but it's not: Karon is one of those rare writers who can depict the good and the ordinary without being boring or condescending. A book to curl up with. (Author tour)
Pub Date: Aug. 1, 1996
ISBN: 0-670-86934-1
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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