A vivid but messy modern Western that examines the ups and downs of a cowboy.
A modern cowboy tries to save a kidnapped boy in this fourth installment of a Western series.
Summer 2005. Guy Thornton has been a godsend at the J Bar Ranch, south of Winslow, Arizona. Since arriving six years ago, he’s converted the failing ranch from raising cattle to bison, making it a profitable enterprise in the process. He also discovered some centuries-old rock art on the property, which has increased tourist traffic. Even so, Guy has been drinking more of late and fighting with Jane—formerly Rose—the runaway teen he once worked so hard to locate. Excitement arrives at the ranch in the form of Bane, an introverted Native American whom Kate Crawford, Guy’s boss, stabs after he sneaks up on her. The novelty of Bane’s appearance turns into a nightmare when the man kidnaps Kate’s son, Jack. Guy is tasked with bringing the boy home safely, but is he up for the challenge in his current state? The story alternates between 2005 and the mid-1990s, when a younger Guy has just completed his spiritual training with an O’odham woman in the desert. His career as a horse trainer is over, but he’s finding new purpose on the rodeo circuit while pining for a waitress named Sally Delchay and wondering what became of the missing Rose. Kelly’s prose is simple but infused with the atmosphere and logic of the setting: “The first thing Guy did when Lily finally paid him was buy a hat; back in Prescott, he’d helped one of the neighboring ranchers during round-ups, and the old geezer had told him that before starting a new enterprise a man should always invest in good hat.” The lucid narration is shared by several characters—Jane, Kate, Kate’s daughter, Grace—as well as by a more distant narrator. The author has made use of dueling chronologies previously in the series, but these two storylines—the 1990s and 2005—do not coalesce perfectly into a single narrative. Despite this flaw, there are enough of the familiar Western tropes—brooding cowboys, unspoken feelings, old regrets, and desert landscapes—to please fans of the genre.
A vivid but messy modern Western that examines the ups and downs of a cowboy.Pub Date: N/A
ISBN: N/A
Page Count: 305
Publisher: Manuscript
Review Posted Online: Sept. 18, 2020
Review Program: Kirkus Indie
BOOK REVIEW
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
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