A vivid but messy modern Western that examines the ups and downs of a cowboy.
A modern cowboy tries to save a kidnapped boy in this fourth installment of a Western series.
Summer 2005. Guy Thornton has been a godsend at the J Bar Ranch, south of Winslow, Arizona. Since arriving six years ago, he’s converted the failing ranch from raising cattle to bison, making it a profitable enterprise in the process. He also discovered some centuries-old rock art on the property, which has increased tourist traffic. Even so, Guy has been drinking more of late and fighting with Jane—formerly Rose—the runaway teen he once worked so hard to locate. Excitement arrives at the ranch in the form of Bane, an introverted Native American whom Kate Crawford, Guy’s boss, stabs after he sneaks up on her. The novelty of Bane’s appearance turns into a nightmare when the man kidnaps Kate’s son, Jack. Guy is tasked with bringing the boy home safely, but is he up for the challenge in his current state? The story alternates between 2005 and the mid-1990s, when a younger Guy has just completed his spiritual training with an O’odham woman in the desert. His career as a horse trainer is over, but he’s finding new purpose on the rodeo circuit while pining for a waitress named Sally Delchay and wondering what became of the missing Rose. Kelly’s prose is simple but infused with the atmosphere and logic of the setting: “The first thing Guy did when Lily finally paid him was buy a hat; back in Prescott, he’d helped one of the neighboring ranchers during round-ups, and the old geezer had told him that before starting a new enterprise a man should always invest in good hat.” The lucid narration is shared by several characters—Jane, Kate, Kate’s daughter, Grace—as well as by a more distant narrator. The author has made use of dueling chronologies previously in the series, but these two storylines—the 1990s and 2005—do not coalesce perfectly into a single narrative. Despite this flaw, there are enough of the familiar Western tropes—brooding cowboys, unspoken feelings, old regrets, and desert landscapes—to please fans of the genre.
A vivid but messy modern Western that examines the ups and downs of a cowboy.Pub Date: N/A
ISBN: N/A
Page Count: 305
Publisher: Manuscript
Review Posted Online: Sept. 18, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.
A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.
Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.Pub Date: Oct. 14, 2025
ISBN: 9781538774700
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Oct. 15, 2025
Kirkus Reviews Issue: Dec. 1, 2025
SEEN & HEARD
SEEN & HEARD
At turns spooky and funny, with bits of inside baseball and a swimming pool’s worth of blood.
Hill, son of the master, turns in a near-perfect homage to Stephen King.
Arthur Oakes has problems. One is that his mom, a social justice warrior, has landed in the slammer for unintentional manslaughter. And he’s one of just three Black kids at an expensive college (in Maine, of course), an easy target. A local townie drug dealer extorts him into stealing rare books from the school’s library, including one bound in human skin. The unwilling donor of said skin turns up, and so do various sinister people, one reminiscent of Tolkien’s Gollum, another a hick who lives—well, sort of—to kill. Then there’s Colin Wren, whose grandfather collects things occult. As will happen, an excursion into that arcana conjures up the title character, a very evil dragon, who strikes an agreement with fine print requiring Arthur and his circle to provide him with a sacrifice every Easter. “It’s a bad idea to make a deal with them,” says Arthur, belatedly. “Language is one of their weapons…as much as the fire they breathe or the tail that can knock down a house.” King Sorrow roasts his first victims, and the years roll by, with Arthur becoming a medieval scholar (fittingly enough, with a critical scene set at King Arthur’s fortress at Tintagel), Colin a tech billionaire with Muskian undertones (“King Sorrow was a dragon, but Colin was some sort of dark sorcerer”), and others of their circle suffering from either messing with dragons or living in an America of despair. There’s never a dull moment, and though Hill’s yarn is very long, it’s full of twists and turns and, beg pardon, Easter eggs pointing to Kingly takes on politics, literature, and internet trolls (a meta MAGA remark comes from an online review of Arthur’s book on dragons: “i was up for a good book about finding magical sords and stabbing dragons and rescuing hot babes in chainmail panties but instead i got a lot of WOKE nonsense.…and UGH it just goes on and on, couldve been hundreds of pages shorter”).
At turns spooky and funny, with bits of inside baseball and a swimming pool’s worth of blood.Pub Date: Oct. 21, 2025
ISBN: 9780062200600
Page Count: 896
Publisher: Morrow/HarperCollins
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
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