A quietly luminous tale of folksy gender-bending that’s entertaining and authentic.
A small-town hairdresser is not quite what she seems in this novel of life under cover.
Charlie Bader, a dentist living in Dallas in 1933, is happily married until his wife catches him lounging in her nightgown doing his nails. She runs off to New Boston, Texas, to train for missionary work in Africa. He relocates to Chicago, where he finds a circle of secretly cross-dressing men—most of whom, like him, are staunchly heterosexual—who give him fashion advice, invite him to drag teas, help him cultivate a high-pitched lilt, and call him “Charlene.” But Charlie’s life is still lonely, as he feels unable to approach a woman, for fear she will discover his hidden passion and reject him. After a stint in the U.S. Army during World War II, he emerges feeling even further alienated from his manhood. He goes to the town of Heaven, Indiana, to live as a woman, using well-honed makeover skills to open a hairstyling and manicure salon. Charlie’s perspective shifts from studying womanhood through the eyes of a man to connecting more intimately with it through the lives of Charlene’s customers. Her beauty shop becomes a gathering place for the ladies of Heaven to trade gossip, hatch plans, and share confidences with the always sympathetic and discreet Charlene. She initially basks in Heaven’s seeming quiet and orderliness, but tension builds as she falls in love with a customer, knowing that she might be run out of town if she voices her feelings. Maher (Heaven, Indiana, 2000, etc.) treats Charlene’s story with sensitivity and nuance, letting it entwine organically with the life of the town that first appeared in her previous novel. Charlie’s early exploration of femininity is portrayed as less sexual than sensual, consisting of a fascination with elegant outfits, perfectly poised manners, and the seductive tactile pleasure of women’s clothing: “The silkiness felt exquisite and forbidding, soothing and terrible, comforting and dangerously damning.” The author’s limpid prose also captures the subtleties of women’s lives, from catty fencing—“Elizabeth Tipton had a way of complimenting you, Minnie thought, that almost made you feel like she didn’t take you seriously”—to a 10-year-old’s clumsy stabs at sophistication to the exasperated kindness of a daughter caring for her parents. The writing is suffused with deadpan humor but resists caricatures; Charlene balances her furtive yearnings with sober restraint, and her customers aren’t small-minded yokels but complex, curious people who are willing to expand their horizons. Heaven is a richly textured place of church socials, quilting and pie-making contests at the county fair, and neighborly help for families burdened by sickness and age. But there are darker elements, as well, such as a con man who threatens to expose Charlene and a mystery involving a teenage girl who died after giving birth to a now-missing child. In Maher’s tapestry, the unconventional, even subversive, impulses of misfits and “ordinary” folk find a place in a convincing whole.
A quietly luminous tale of folksy gender-bending that’s entertaining and authentic.Pub Date: Jan. 23, 2017
ISBN: 978-0-253-02404-6
Page Count: 276
Publisher: Break Away Book Club Edition
Review Posted Online: Aug. 10, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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