by Jan-Philipp Sendker ; translated by Christine Lo ‧ RELEASE DATE: May 2, 2017
Sendker’s considerable knowledge of China is not enough to overcome too much philosophizing by self-consciously sensitive...
German novelist Sendker’s second novel (Whispering Shadows, 2015) about a German-American former journalist battling crime in China.
Readers of the author's previous book will be glad to find the protagonist, Paul, leading a quiet life on the island of Lamma, a ferry ride from Hong Kong. He's still grieving for his dead child, but his relationship with travel agent Christine has deepened. After a reading from her astrologer, Christine fears she will bring harm to Paul. Paul visits the astrologer himself to assuage her concerns but is unsettled by the astrologer’s three-sentence prophecy (which is annoyingly withheld from readers for almost 200 pages). Then Christine receives a letter from her older brother, Da Long, whom she’d always assumed died during the Cultural Revolution, around the time she and her mother escaped the mainland to Hong Kong 40 years ago. He asks for help and wants to see her, so Paul accompanies her on what is supposed to be a 48-hour visit. They learn that Da Long’s wife has fallen mysteriously and incurably ill, and so have other neighbors in Da Long’s village as well as the local cats. When Christine returns to Hong Kong as scheduled, Paul stays behind, ostensibly to support Da Long during the visit from a Shanghai neurologist arranged by Da Long’s estranged but politically connected son, Xiao Hu. In fact, Paul begins investigating his suspicions that a factory may be poisoning the water in the nearby lake. He enlists help from Da Long’s daughter, Yin-Yin, a music student, and her journalist friend, Wang. But in his righteous anger, Paul ignores cultural differences as well as the cost to Chinese citizens who speak out against power. He also pays less attention than he should to what's happening in Christine’s life until circumstances force him to realize what matters most.
Sendker’s considerable knowledge of China is not enough to overcome too much philosophizing by self-consciously sensitive characters and a plot that holds few surprises.Pub Date: May 2, 2017
ISBN: 978-1-4767-9367-2
Page Count: 352
Publisher: Atria
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
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by Jan-Philipp Sendker ; translated by Kevin Wiliarty
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by Margaret Atwood ‧ RELEASE DATE: Feb. 17, 1985
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
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edited by Margaret Atwood & Douglas Preston
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SEEN & HEARD
BOOK TO SCREEN
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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