Vivid, thoughtful, emotionally layered fiction.
In this story collection—her first book to be translated into English—Latvian writer Egle delves into the feelings and experiences of women at different ages.
A mischievous young girl longs for a beautiful doll, unaware of what the adults around her are getting up to. A wife suffers a tragic loss. An office worker dates a man who turns into a stalker. A librarian gives in to a secret desire. A sister is haunted by the memory of a younger brother who disappeared. Animals feature in several stories: a pet cat, a fox in the snow. A heart transplant recipient tells his wife that the surgeon cooked his original heart, then fed it to his dachshund. The focus throughout this collection is on women: their inner lives, their desires, their complex thoughts and often contradictory feelings. There are men here as well, but they’re ancillary, never the main characters. A woman repulsed by her alcoholic stepfather tries to understand how her mother ended up with him: “What about him did she come to like, why did she want to marry this man, have children, live together with him day to day, year to year, eat at the same table, sleep in the same bed?” With a perceptive eye and a nuanced understanding, Egle shows the complicated bonds that connect families, friends, and romantic partners, their dependencies, frustrations, tenderness, and incongruities. Her characters contend with heartbreak, loss, and cognitive decline. “It’s a woman’s fate to love and suffer,” a woman thinks on a three-day hiking trip with an old flame who wants to marry her, but “she has strongly resolved to cheat fate.” The prose is unhurried, the language at times refreshingly earthy, and in any situation there’s more than first meets the eye. Of a field of beautiful flowers, the same woman observes, “In the sweltering heat they exude the aroma of a piss-filled jar of honey.”
Vivid, thoughtful, emotionally layered fiction.Pub Date: March 18, 2025
ISBN: 9781960385154
Page Count: 140
Publisher: Open Letter
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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