Fans of true crime will find much to enjoy in this absorbing chronicle of criminology.
A memoir from one of the first female profilers in the FBI's Behavioral Science Unit.
As a child, Monroe idolized Dirty Harry, and after majoring in criminology in college, she became a probation officer and then a police officer in Southern California. In 1985, her decision to apply to the FBI ended her first marriage, to a man who mistakenly thought that Monroe’s “feminist determination to succeed in law enforcement would yield over time to a woman’s natural desire to bear children and mother them above all else.” When she began her training at Quantico, she met a fellow agent who would become her “second and permanent husband.” While posted in Tampa, she went undercover as an aerobics instructor to investigate some “New York Mafia types,” and one case, a triple homicide, affected her deeply. Consequently, she joined the Behavioral Science Unit, “one of the Bureau’s truly elite units,” focused on serial homicide. BSU, housed in a “dismal subterranean” office at Quantico, was immortalized in The Silence of the Lambs, and Monroe coached Jodie Foster for her role as Clarice Starling. “Hannibal Lecters were our daily diet (no pun intended),” writes Monroe. “We saw echoes of him constantly—through in-person interviews we conducted, by studying their victims’ remains, and by poring over case studies of earlier serial killers to hone our understanding.” The author is clear about the determination it took to thrive in the “male-driven and male-defined world of the FBI.” She makes no bones about the challenges she faced, nor does she shy away from describing the “psychological toll” of the job. Refreshingly, Monroe injects some humor amid the descriptions of pure evil. While the narrative occasionally drifts into hodgepodge territory, the author is an affable narrator, and her career accomplishments need no embellishment.
Fans of true crime will find much to enjoy in this absorbing chronicle of criminology.Pub Date: Oct. 10, 2023
ISBN: 9781419766114
Page Count: 320
Publisher: Abrams
Review Posted Online: Aug. 17, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK TO SCREEN
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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