Simply sweet.
Little Monster isn’t ready for bed. What can Big Monster do?
“You must be tired after your big day,” says Big Monster. “No, I’m not,” replies Little Monster. “My knees have lots of bounces in them.” And so the battle begins. “Show me,” Big Monster says, with a snaggle-toothed smile. Big Monster’s turquoise blue, with orange-striped horns and a nose that resembles a child’s drawing of an evergreen tree. Little Monster’s a golden yellow, with a nose that resembles a cotton boll. Little Monster jumps on a trampoline but doesn’t get tired. “My bottom wants to wiggle-jiggle.” “Show me,” is Big Monster’s reply. Still to come are swinging, rolling around, and frolicking in a frothy bubble bath. Finally it’s almost bedtime, but Little Monster’s feet aren’t tired; they “have jumps inside them.” Little Monster jumps like a jack-in-the-box, then needs to take a last zoom around the room, arms extended like an airplane, finally settling in Big Monster’s lap. But still, the eyes aren’t tired. Big Monster (who is beginning to look pretty fatigued) leads Little Monster in an exercise: “Open, shut…shhh.” And so to bed. Hunter avoids pronouns, so the monsters can be gendered any way readers choose. Bowles makes Little Monster appropriately sassy and energetic, and if caregivers are as tired as Big Monster after all Little Monster’s antics, well, that’s a welcome kind of realism.
Simply sweet. (Picture book. 3-6)Pub Date: July 1, 2017
ISBN: 978-1-84643-985-8
Page Count: 32
Publisher: Child's Play
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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