A SOFT PLACE TO LAND

When her telecommunications professional father is laid off, Joy’s family’s relocation across town threatens to cost her more than money can buy.

Twelve-year-old Joy Taylor wants to compose music for films, but now that money is tight, her piano lessons, along with so much else, are sacrificed. They have moved from a house to apartment 3C, a small two-bedroom where she and her younger sister must share a bunk bed and the walls are so thin, her parents’ fighting keeps them up at night. Then Joy meets Nora from 5B, who lost her mother to cancer. The two girls share a love of movies, complicated home lives, and an obvious need to just get away sometimes. A cornerstone of the friendships between Joy and other kids in the building is the secret, cramped Hideout accessed through a storage closet near the laundry room. According to the literal writing on the wall, it’s been a sanctuary for generations of kids needing a space to retreat. Marks makes the necessity of this intimate space for not-quite-little-but-not-yet-big kids simultaneously plausible and disheartening. As the story progresses through various relationship trials, it’s not the tween drama that provides the most emotional resonance; rather, seeing children work so hard to make their own place in the world, forge connections, and pursue their own interests is truly inspiring—but their needing to do so in quiet corners while adults remain oblivious is terribly sobering. Joy and her family are Black; Nora is cued as Latinx.

A bittersweet story of silent perseverance and kids working for themselves.