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GRANDMA'S TINY HOUSE

Grandma’s lucky to have all these family members, and young readers are even luckier to be invited to this wonderful family...

A fantastic feast unfolds as Grandma’s family gathers at her very small home.

There are “TWO turkeys send[ing] scrumptious smells through the air,” “FOUR pots of hot greens and ham hocks galore.” And that’s just to start. Beyond the food, there are the bearers of all these treats. “SEVEN cool uncles stroll up in a line, / with EIGHT jugs of lemonade, ice-cold and fine.” This rhyming counting book features a large family with brown skin, mostly of the same shade with some slight variations in skin tone but lots of different hairstyles, body types, and looks. The party doesn’t seem to be celebrating any particular holiday, just an excuse for family, neighbors, and friends (there are a few white faces among the friends) to come together and enjoy a multigenerational summer day. But there is a problem accommodating everyone, and one of the “FIFTEEN hungry grandchildren,” a logical little girl with a yellow headband holding back her Afro, has the solution. She suggests using the backyard, and the party moves outside without skipping a beat. There is a great sense of movement and bustle, and Grandma’s cat and dog can be spotted in each double-page spread.

Grandma’s lucky to have all these family members, and young readers are even luckier to be invited to this wonderful family gathering. (Picture book. 3-6)

Pub Date: Aug. 8, 2017

ISBN: 978-1-58089-712-9

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: June 15, 2017

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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