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Riven

From the My Myth Trilogy series , Vol. 1

A whirlwind narrative about an imaginative heroine that uses fantasy to offer salvation from abuse.

In this debut fantasy thriller, a teen’s real life begins to overlap with a colorful world she thinks she’s invented.

In Dallas, 17-year-old Emily Alvey watches Claire, her 10-year-old sister, have fun at a pool party. Yet Emily herself is preoccupied with the deep scratches on her arm, which she doesn't remember receiving. When she shoos a dragonfly away from her ankle, she accidentally kicks Gabe, a cute lifeguard, in the nose. They chat, but she neglects to describe her disastrous life: she must repeat the 11th grade; her father sits in jail; and her mother remains addicted to prescription meds. Later, after leaving a grocery store, Emily runs into Gabe again, only this time she suffers what seems like a panic attack. But the voices in Emily’s mind (a critical woman and a fanciful little girl) tell her that she’s awakening to a Magic that she hasn’t known since she was 7 years old. As a child, she began weaving a story about the First Realm, populated by the Fae—elves and maidens, both at war with the hideous crimbals. Gabe helps her realize that her father’s imminent release from prison coincides with the marks on her arm, which are actually ancient runes that not only spell her last name, but also translate it into “elf warrior.” In this emotionally charged novel, Harris uses traditional fantasy elements to tell a vibrant self-acceptance narrative. Though ostensibly for older teens, Emily’s adventures with her three siblings (Claire, 14-year-old Aidan, and 15-year-old Jacob) begin with rich imagery, and only become more kaleidoscopic when the heroine “can’t decipher between what is fantasy and what is real.” At its best, the prose conjures all the lushness promised by the genre, as when Emily sees “the sparkling honeysuckle air, the serene entanglement of polished stone and creeping wild strawberry.” At other times, however, the worldbuilding feels claustrophobic, and readers may wish for more clearly marked plot points to follow. In the end, after a sad, shocking revelation, Harris firms up her message that it’s vital to “experience your emotions and memories without judging them or reacting to them.”

A whirlwind narrative about an imaginative heroine that uses fantasy to offer salvation from abuse.

Pub Date: Aug. 24, 2016

ISBN: N/A

Page Count: 494

Publisher: CreateSpace

Review Posted Online: June 22, 2016

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THE SHADOW BRIDE

From the Scarlet Veil series , Vol. 2

Intriguing but convoluted and underdeveloped.

When the veil between life and death is torn, threatening everything and everyone she loves, Célie is determined to take “till death do us part” as a challenge, her role as Bride of Death notwithstanding, in this sequel to The Scarlet Veil (2023).

Célie’s life has very abruptly gone to hell in a handbasket. She’s been turned into a vampire and abandoned by the mysterious and infuriatingly alluring man who turned her. Fearful of hurting her friends, she can’t eat or sleep, and she loathes herself and what she’s become. Célie is also being haunted by her late sister, Filippa. The dead are walking, something is going wrong with magic, and Death himself has manifested in corporeal form to claim his due. Only Célie can mend what’s been broken—but at what cost? This sequel picks up without much time spent reorienting readers to plot points or character dynamics. As in the first book, the drama spools on for too long, only properly picking up momentum about two-thirds of the way through the book. What starts as a slow-burn romance soon becomes quite the opposite, and although the stakes are generally higher than before and there are some very touching moments, the narrative never quite comes together in a satisfying way, and the worldbuilding and characters feel shallow and lack sufficient context. Most characters are light-skinned.

Intriguing but convoluted and underdeveloped. (Paranormal. 16-18)

Pub Date: March 25, 2025

ISBN: 9780063258808

Page Count: 624

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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