Another of Aiken's playful yet hearty romantic fancies, with a cast lifted (respectfully) from the luminously peopled novels of Jane Austen. Aiken's previous novel, Eliza's Daughter (1994), focused on an offstage figure from Sense and Sensibility who confronts the former, now unhappy, Dashwood sisters. Aiken has wisely jettisoned attempts at irony and witty pyrotechnics; still, her cast members here, borrowed from Austen, take some entertaining turns. In Austen's bleak and sketchy The Watsons, probably begun in 1804 and never finished, Elizabeth Watson confides to sister Emma, with whom she has been reunited after Emma's 14 years with kind Aunt Maria, grim thoughts on their single state: "You know we must marry . . . it is very bad to grow old and be poor and laughed at." But that seems to be the fate of these young women, now in their 20s, for their father, a gentle clergyman, is quite poor. The soon-to-be family head is pompous, unsympathetic brother Robert, married to horrid Jane, "callow" and unhelpful. Their sisters Penelope and Margaret are generally unpleasant. Aiken picks up Austen's tale and carries it imaginatively along. Penelope marries nice, elderly Dr. Harding, and buys, renovates, and moves into a grand, if decaying mansion. But heartaches abound: Elizabeth's former suitor marries another; kind brother Sam is refused marriage to pleasant Mary Edwards, pledged to dim Lord Osborne. Emma is not attracted to curate Adam, because he's tethered to the dowager Lady Osborne. And dear Aunt Maria has vanished after having borne up under the weight of a miserable marriage for many years. Before the close, when lovers will traipse off hand in hand, there will be reversals and upheavals; a fatal accident; a destructive theft and elopement; disclosure of an old scandal; a rescue; and even a rousing horse race. As always, for those attuned to Austen, and to Aiken's imaginative, respectful variations, simply charming.
Pub Date: Aug. 1, 1996
ISBN: 0312145934
Page Count: 221
Publisher: St. Martin's
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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