by Jane Breskin Zalben & illustrated by Jane Breskin Zalben ‧ RELEASE DATE: Aug. 18, 2001
The thrill of the first day at preschool and all its attendant worries (for parent and child) are addressed in this compassionate tale. When Daniel sets off, he experiences some trepidation about leaving his mother for a strange new environment. The title phrase soon becomes his mantra as he resolutely clings to his mom. However, with steady reassurance and few strategic comfort items from home, Daniel eventually joins the group. Shortly thereafter, he is able to bid a somber, but tearless, goodbye. A day of play and blossoming friendships leads Daniel to discover the more pleasant aspects of preschool. Zalben’s (To Every Season, not reviewed, etc.) honesty and pragmatic tone will put young readers at ease. She addresses Daniel’s emotional upheavals without an excess of fanfare, neatly blending his sadness and wariness with intriguing tidbits about preschool life and the prospect of new friends. Readers who do not ease into transitions smoothly will find encouragement in Daniel’s dilemma and his resolution of it. Included at the end are a “Checklist for First Day at Preschool,” a note from the editor called “Getting Ready for Preschool,” and a cookie recipe. Zalben’s bright watercolors feature a cast of appealingly anthropomorphic animals; Daniel’s mother is a suit-clad, sneaker-wearing elephant, while his classmates are a hippo, cat, and pig. The juxtaposition of familiar animals with very human scenarios is at once comforting and comical. A terrific tale to take the sting out of first-day-of-school separation anxieties. (Picture book. 3-5)
Pub Date: Aug. 18, 2001
ISBN: 0-618-07250-0
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
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by Kimiko Kajikawa & illustrated by Ed Young ‧ RELEASE DATE: Jan. 1, 2009
Through quick thinking and personal sacrifice, a wise old Japanese farmer saves the people of his village from a devastating tsunami in this simple yet striking story based on Lafcadio Hearn’s “A Living God.” Ojiisan lives in a cottage on a mountain overlooking the village and sea. One day, villagers gather to celebrate the rice harvest, but Ojiisan stays home thinking “something does not feel right.” When the earth quakes and the sea darkens and runs away from the land, Ojiisan realizes a tsunami approaches. Fearing the oblivious villagers will be swept away, Ojiisan torches his rice fields to attract attention, and they respond, barely escaping the monster wave. Rendered in gouache, pastel and collage, Young’s illustrations cleverly combine natural textures, bold colors and abstract shapes to convey compelling images of chaos and disaster as the rice fields burn and the wave rushes in. In one literally breathtaking double-page spread, an enormous wall of water engulfs the teeny seacoast village. A visually powerful and dramatic tribute to one man’s willingness to sacrifice everything for others. (Picture book. 3-5)
Pub Date: Jan. 1, 2009
ISBN: 978-0-399-25006-4
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
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