Unsavory, unrepentant characters interspersed in a plot that’s as predictable as it is far-fetched make for an uninspiring...
A young lawyer with secrets of her own finds that her new husband is about as trustworthy as the murderer she’s representing on appeal.
Lily Macdonald, 25, thought her new life with Ed, a graphic designer with aspirations to paint full time, would be grand. She’s a newly minted solicitor in London, two months into a new marriage, with a shiny new case: the appeal of Joe Thomas, convicted of murdering his girlfriend by shoving her in a scalding bath. Joe and Lily’s initial conversations smack of cut-rate Hannibal and Clarice Starling scenes, with none of Thomas Harris’ nuance of character. In fact, none of Corry’s characters in her disappointing U.S. debut have much in the way of nuance; only a general sheen of unpleasantness that settles over every interaction, be it personal or professional. Besides Lily and Ed and their less-than-blissful marriage, Corry introduces their neighbors across the hall, Italian immigrant Francesca Cavoletti and her 9-year-old daughter, Carla, who catches Ed’s eye as the perfect artistic subject. While Francesca spends time with a “special friend,” Carla hangs out with the Macdonalds while Lily pursues Joe’s appeal and wrestles with her childhood demons, which neatly connect to the case. A somewhat preposterous fast-forward finds the characters 12 years older but no wiser: Lily and Ed have a son with Asperger’s; Carla is a knockout law student back from Italy; and Joe is still causing trouble from the sidelines. New romantic liaisons are formed, as are legal ones, none of which will surprise the careful reader.
Unsavory, unrepentant characters interspersed in a plot that’s as predictable as it is far-fetched make for an uninspiring read.Pub Date: Jan. 31, 2017
ISBN: 978-0-7352-2095-9
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: Nov. 22, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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