Topical family melodrama.
Married Bay Area woman tries to overcome a fraught relationship with her troubled teenage stepdaughter.
Mr. Right can come with big-time baggage, and that is certainly the case for interior designer Andi. Already in her late 30s when she meets and falls for divorced dad Ethan, Andi wants nothing more than to start a family of her own with him. A doting father to his two young daughters, Sophia and Emily, Ethan shares custody of them with his ex-wife Janice, a bitter, unreliable alcoholic. Sophia, ten year’s old when the story begins, adores her cool new stepmom, but 17-year-old goth princess Emily is a different story. A master of manipulation and histrionics, Emily sees Andi as a major threat in a battle for Ethan’s love. She manages to twist her overly permissive dad around her little finger—to Andi’s dismay—and acts out by experimenting with drugs and sex. Struggling with fertility issues, Andi is secretly thrilled, though, when Emily is revealed to be 7 months pregnant from one of her random hookups. Hoping that Emily will give the child to her and Ethan, she is then crushed when Ethan insists Emily give it up for adoption. Emily has other plans, of course, and gives birth to a healthy boy, Callum. But motherhood turns out to be more than she can handle, and she runs off to Portland. Andi is left to raise Cal as her own for three happy years, knowing in the back of her mind that Emily might someday return. Away from home, Emily gets a job on an organic farm and manages to clean up her act. She also repairs her relationship with Janice, who has stopped drinking, and reconnects with her childhood pal Michael, who has grown into quite a hunk. The two of them decide to move back to Mill Valley, with Emily insisting to an ecstatic Ethan and a skeptical Andi that she only wants to be a part of Cal’s life. But does she mean it, and has she really changed? Green (Promises to Keep, 2010, etc.) ramps up the emotional stakes by presenting both Andi and Emily’s points of view, even as her prose is a bit on the dull and repetitive side.
Topical family melodrama.Pub Date: March 13, 2012
ISBN: 978-0-312-59182-3
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 24, 2011
Kirkus Reviews Issue: Jan. 15, 2012
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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