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FALLING

Though Emma’s life changes drastically, the reliance on clichés and all-too-familiar tropes makes it difficult to reach an...

Sometimes true love defies all expectations.

When Emma Montague left England behind, she embarked on a fast-paced and stressful financial career in Manhattan. Five years later, she's ready for another change in her life. After diligently saving, she has enough money set aside to pursue her dream of interior design off the beaten path in Westport, Connecticut. Though her rental house isn’t ideal, she's able to see past the hideous salmon shag carpeting and dated linoleum and imagines transforming it into her ideal beach home. Her landlord, Dominic, is confident and flirtatious, yet Emma almost immediately shuts down any possibility of viewing him as a romantic interest, insisting to others and herself that their backgrounds are too different and they simply have nothing in common.  But given that he and his young son live right next door, a relationship begins to blossom. For much of the tale, Emma tries to argue herself out of a future with Dominic, worrying both about significant concerns—his son, Jesse, doesn’t appear eager to share his father’s time and affection—and her continued anxiety that their differences make them incompatible. While there are hints of conflict throughout the novel, most of those issues peter out before reaching a peak. Bestselling author Green (Summer Secrets, 2015, etc.) relies heavily on stereotypes with this offering, and the characters seem forced into creation rather than developing more authentically. The use of present-tense narration further chokes a novel that focuses more on introspection than action. While the vast majority of the novel is told from Emma’s third-person point of view, it occasionally character-hops in a manner that is jarring and inconsistent.

Though Emma’s life changes drastically, the reliance on clichés and all-too-familiar tropes makes it difficult to reach an emotional payoff.

Pub Date: July 19, 2016

ISBN: 978-0-399-58328-5

Page Count: 384

Publisher: Berkley

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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