A provocative story about youth culture during the 1960s, overflowing with sex, drugs, and rock and roll.
A small-town British girl relocates to London, where she gets involved with a fast crowd that introduces her to psychedelic drugs, free love, and complicated questions.
In 1960s England, Claire Collins has long yearned to leave rural Dorset and build a bigger life full of glamour. When her widowed father remarries, her desire to hit the road only intensifies. After a particularly nasty fight with her stepmother, Claire boards the first train to London with little more than pocket money and determination. After a dicey beginning, she finds lodging in a hostel and a job working as a shopgirl. Then she meets John McKenna, a young man with connections to the burgeoning British music scene. Before long, John is introducing Claire to one celebrity after another, well-known musicians and famous groupies. On a whim, Claire’s new famous friends bring her to Morocco, where she meets Talitha Getty, the wife of enormously wealthy Paul Getty. As Claire falls under the dizzying spell of riches and nonstop parties, she tries everything her new friends offer her, from LSD to opium and orgies. The more deeply entrenched she becomes, the more she begins to wonder whether the new life she’s created for herself contains more pitfalls than prizes. Chock-full of vibrant historical details about London and Morocco in the 1960s, Green’s first foray into historical fiction does not disappoint. The novel shines brightest when Claire, who narrates, first arrives in London and again when she forms her initial impressions of Morocco. Green portrays the scenery and atmosphere so vividly that readers will be instantly transported. The descriptions of Marrakech, with its bright colors and beautiful architecture, present an especial sensory delight. While Claire seems to believe the story she tells is about Talitha, the narrative is really about an average girl’s brief brush with fame during an unprecedented time, tackling difficult questions of self-doubt, fulfillment, and individual purpose—complete with cameo appearances by Mick Jagger, John Lennon, and a host of others.
A provocative story about youth culture during the 1960s, overflowing with sex, drugs, and rock and roll.Pub Date: April 5, 2022
ISBN: 978-1-335-42578-2
Page Count: 304
Publisher: Hanover Square Press
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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BOOK REVIEW
SEEN & HEARD
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