Gregor Demarkian’s last case.
Marta Warkowski has lived all her 72 years in a three-bedroom apartment in Philadelphia's Alder Arms despite the best efforts of Miguel Hernandez, the building’s super, to cajole her to leave or evict her. She knows all the dodges: Bring your rent check directly to Cary Alder’s office; make sure to get a receipt every month; and don’t let the bastards think they can get away with bullying you. About the only thing that will get her to move is death. Even when her body, stuffed into a plastic garbage bag, is tossed from a van onto the street, she’s not quite dead, only comatose. It’s Hernandez who’s dead, lying on the floor of her coveted apartment. Father Tibor Kasparian and 14-year-old Tommy Moradanyan, who are on the scene, are already preoccupied with their own problems, which range from the imprisonment of Tommy’s father, attorney Russ Donahue, to Tibor’s recent placement of Javier, an abandoned child, in foster care. Since Russ Donahue’s crimes include shooting Gregor Demarkian, who’s also agreed with his wife, Bennis Hannaford, to take in Javier, it’s only natural that the Philadelphia Police Department comes calling on Gregor for help. This time, though, the interest in the Armenian American Poirot’s sleuthing is outpaced by Haddam’s exposition of an all-too-plausibly widespread plot to smuggle undocumented people into the country and exploit them in every possible way. The result is a fitting sunset vehicle for Haddam, a pseudonym for Orania Papazoglou, who died in 2019 and is memorialized in a brief, glowing afterword.
One last testament to the importance of community in maintaining the values that make America great, or at least human.