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THE GOOD DAUGHTER

Our heroine’s dangerous romance with the “wrong man” is engaging enough, though Porter’s examination of domestic abuse is...

The second in Porter’s Brennan Sisters trilogy focuses on Kit: single, almost 40 and wondering when it will be her turn to have it all.

In the large Brennan clan of San Francisco firefighters, police officers and nurses, Kit, an English teacher at a Catholic school, is the designated good girl. She is the peacemaker, the caretaker and the occasional doormat. Having just ended a long relationship that didn’t include marriage, children or passion, Kit is thinking about adopting a child. This news sits poorly with her conservative friends and family, who want her to do it the old-fashioned way. She would too, but the men out there! First, there is Michael Dempsey, handsome and clean-cut, but their first date is disastrous. He is controlling and crude and then lets drop he’s actually married. Then there is Jude Knight, a mystery man she met while at her family’s Capitola beach house. He has the look of a romance-novel hero (long hair, taut muscles, cheekbones that betray his Native American heritage) but the tattoos and motorcycle of a bad boy, and Kit could never bring him home to her family. A week after their date, Michael Dempsey appears in Kit’s class; he has reconciled with his wife, and his stepdaughter Delilah is now enrolled at the school. Although Kit imagines Delilah’s life is strained (on their date, Michael confessed to hating his mouthy stepdaughter), she has no idea the extent of the abuse; but Jude Knight does: He’s Delilah’s next-door neighbor, and he gets a nightly earful of the fights, screams and punches. When Delilah gets in trouble at school, she calls Jude, and he and Kit reconnect. Will Delilah get away from her abusive stepfather? Will Jude win Kit over? Is naming the romantic hero Knight going a bit too far?

Our heroine’s dangerous romance with the “wrong man” is engaging enough, though Porter’s examination of domestic abuse is too lightly handled.

Pub Date: Feb. 5, 2013

ISBN: 978-0-425-25342-7

Page Count: 336

Publisher: Berkley

Review Posted Online: Dec. 26, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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