Astutely written, with the perfect balance among humor, heartbreak, and understanding.
A novel that takes back shame while packing a funny and poignant punch.
Political wife Kathleen Held returns early from a trip to discover her garage is on fire, and her husband and his mistress are the source of the heat. Both her reaction and, incidentally, the deep red stain from some leaked menstrual blood are captured on video and instantly shared around the globe. Kathleen, a production editor in book publishing by trade, is used to being invisible, but her face has become that of the #YesWeBleed movement, photo edited onto Rosie the Riveter posters and memes and submemes and gifs and hashtags in a brilliant satire of an internet culture that falls somewhere between the honesty of #MeToo and the outrage of "Grab 'em by the pussy." Kathleen is horrified and tries to hide until two things happen: She intercepts an invitation meant for her husband to the Society of Shame, a salon for the scandalous run by disgraced bestselling author Danica Bellevue; and her 12-year-old daughter, Aggie, is pelted with maxi pads. Aggie fights back by embracing the period movement even though her involvement could wreak havoc on her father's Senate campaign and her own social life. Seeing her daughter's bravery, Kathleen realizes she's chosen to disappear rather than face possible disappointment, that she's pushed aside her own wants and needs since having been rejected for her literary novel decades before. Urged by her cohort in the society, Kathleen decides to lean into the embarrassing-but-essential period-based spotlight, generating media and keynotes, hashtags, hate mail, and a high-six-figure book deal. But she starts to realize the attention and social media storm are making her lose sight of what's important to her and must decide if the risk is worth the cost of her values. The humor gets its teeth from author Roper's eye for just the right details, like the moment when Kathleen is on a solo road trip and plays her favorite college songs from Alanis Morissette and the Indigo Girls. Resist skipping ahead, but the last page cements the work’s heart.
Astutely written, with the perfect balance among humor, heartbreak, and understanding.Pub Date: April 4, 2023
ISBN: 9780593468760
Page Count: 368
Publisher: Anchor
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
BOOK REVIEW
PERSPECTIVES
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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