Stuey’s fans will be crossing their fingers for a sequel. (Fiction. 6-9)
Stuey Lewis is filled with angst about reading, Halloween, soccer and one annoying classmate in this big-hearted tale of second grade.
Stuey is a regular second grader. That means he worries about everything. Stuey’s dad no longer lives with them, brother Anthony is a soccer prodigy and a bossy classmate keeps him on edge. These anxieties formed the core of linked short stories, told by Stuey himself, which chronicle the changes his second-grade year brings. Stuey’s best friend Will is a “reading monster,” which makes Stuey feel bad that he is not yet ready to plow through a pile of chapter books. He keeps waiting for the reading light to turn on, but it isn’t happening fast enough. How can Stuey possibly measure up to Anthony if he goes out for "bitty league soccer"? It's even worse when he realizes the awful Lilly is on his team! Natural dialogue and believable school situations capture the drama of second grade, gently showing readers that things will get better. Occasional black-and-white illustrations add another humorous touch that new readers will appreciate. By the time the year is over, Stuey is no longer feigning illness to get out of school and is even looking forward to another year with beloved teacher Ms. Curtis, who is moving up with this winning class.
Stuey’s fans will be crossing their fingers for a sequel. (Fiction. 6-9)Pub Date: July 5, 2011
ISBN: 978-0-374-37292-7
Page Count: 128
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 6, 2011
Kirkus Reviews Issue: June 15, 2011
Fans both young and formerly young will be pleased—100 percent.
Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!
All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.
Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)Pub Date: Sept. 9, 2014
ISBN: 978-0-385-38298-4
Page Count: 56
Publisher: Random House
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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There’s lots to see and do in this big city.
A set of panoramic views of the urban environment: inside and out, above and belowground, at street level and high overhead.
Thanks to many flaps, pull tabs, spinners, and sliders, viewers can take peeks into stores and apartments, see foliage change through the seasons in a park, operate elevators, make buildings rise and come down, visit museums and municipal offices, take in a film, join a children’s parade, marvel as Christmas decorations go up—even look in on a wedding and a funeral. Balicevic populates each elevated cartoon view with dozens of tiny but individualized residents diverse in age, skin tone, hair color and style, dress, and occupation. He also adds such contemporary touches as an electrical charging station for cars, surveillance cameras, smartphones, and fiber optic cables. Moreover, many flaps conceal diagrammatic views of infrastructure elements like water treatment facilities and sources of electrical power or how products ranging from plate glass and paper to bread, cheese, and T-shirts are manufactured (realistically, none of the workers in the last are white). Baumann’s commentary is largely dispensable, but she does worthily observe on the big final pop-up spread that cities are always changing—often, nowadays, becoming more environmentally friendly.
There’s lots to see and do in this big city. (Informational novelty. 6-9)Pub Date: April 4, 2017
ISBN: 979-1-02760-079-3
Page Count: 22
Publisher: Twirl/Chronicle
Review Posted Online: May 30, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
BOOK REVIEW
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