The eightieth anniversary issue of this annual series displays a catholicity of taste that's often been missing from previous volumes. Smiley's selection, drawn from a wide array of magazines, balances new and familiar voices, and, most noticeably, avoids the trendier themes and styles of recent years. Religious themes are honorably treated in a number of fine pieces here: Newcomer Steven Polansky's "Leg" concerns a middle-aged Christian father who sacrifices his leg in order to test the indifference of his head-banger son. Old pro Don DeLillo is represented by "The Angel Esmeralda," a densely imagistic story that embodies an almost medieval theological debate about transcendence, and sets it against the ruins of the South Bronx. Edward J. Delaney's "The Drowning" chronicles the dramatic life story of a former Irish priest who uses his knowledge from the confessional to alter his life forever. The bloody crossroads where politics and religion intersect provide the background for a tale set in Northern Ireland (Jennifer C. Cornell's "Undertow") and another about Zionist Nazi-hunters (Avner Mandelman's "Pity"). Meanwhile, the influence of genre fiction is a welcome addition: Jaimy Gordon's hard-boiled "Night's Work" brilliantly surveys the world of racetrack rates; equally tough-minded is Edward Falco's "The Artist," an action-filled narrative about a successful, suburban artist who dramatically confronts his crime-ridden past. Quirkier stories include the confessions of a former obsessive-compulsive (Andrew Cozine's "Hand Jive"); a macabre job-orientation lecture (Daniel Orozco's "Orientation"); Andrea Barrett's tale of love and honor among geneticists ("The Behavior of the Hawkweeds"); and Thom Jones's wild piece about an alcoholic baboon (from Cold Snap, p. 495). A number of clinkers concern familiar themes: a mother dying from cancer, a disaffected Vietnam vet, suburban adultery. But Ellen Gilchrist's "The Stucco House"—a seven-year-old's view of his troubled alcoholic mother—takes the honors as the collection's most moving story. A strong addition to the venerable series.
Pub Date: Nov. 15, 1995
ISBN: 0395711797
Page Count: 351
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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