Doesn’t stand out among the many introductions to Halloween’s delights.
Chloe Zoe in back, exploring Halloween’s delights with her friends.
The anthropomorphic elephant girl is enthusiastic about all that this “autumn tradition” has to offer—carving jack-o-lanterns, apple cider, homemade doughnuts, decorating, wearing a costume, and trick-or-treating—but she’s a little leery of the old house on the corner where a friend told her an evil witch lives. Her friends Mary Margaret, a crocodile, and George, a giraffe, try to tell her that witches aren’t real, but she’s unconvinced. Still, the three have a blast with their families as they go door to door gathering tasty treats and seeing other kids’ costumes…until the only house left is the witch’s. Chloe Zoe loses her cool, only regaining it with the help of her father’s words of wisdom and her brave friends’ hands in hers. Smith’s artwork incorporates textured papers with lots of competing shapes and patterns, which can sometimes make it difficult to parse the illustrations. Also, with a few exceptions when Chloe Zoe is dealing with her witch fears, the characters’ facial expressions are static. It’s Thanksgiving, Chloe Zoe! publishes simultaneously; its plot revolves around an inedible pumpkin pie she bakes with Grammy, Grammy’s failing eyesight and Chloe Zoe’s illiteracy combining to mix cayenne with cinnamon.
Doesn’t stand out among the many introductions to Halloween’s delights. (Picture book. 4-7)Pub Date: Aug. 1, 2017
ISBN: 978-0-8075-1210-4
Page Count: 32
Publisher: Whitman
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
