Funny yet moving, a midlife crisis tale with all the elements of a TV movie of the week.
A witty, self-deprecating account of how becoming a volunteer emergency medical technician transformed a reclusive, depressed hypochondriac into a vibrant whole woman.
Co-author with husband Michael of numerous books on food and pop culture (Dog Eat Dog, 1997, etc.), a columnist for Gourmet magazine, and a contributor to NPR’s The Splendid Table, Stern at age 52 appeared to be a woman of accomplishment. She describes herself, though, as clinically depressed, claustrophobic, and floored by panic attacks. Her decision to become an EMT was, she says, a spur-of-the-moment act, taken after a couple of months of psychotherapy and treatment with antidepressants. It also seems driven by the desire of this urbane, well-traveled outsider to become an accepted part of her largely blue-collar New England community. During months of thrice-a-week classes, mostly with fit young firemen and police trainees, overweight, overage, and overeducated Stern struggled hard to fit in, at times losing her dignity, but not her sense of humor. Once certified as an EMT, she faces some real-life tests. The claustrophobic writer dreads riding in the back of the ambulance, but of course she must, and with a couple of drunken, bleeding motorcyclists to care for she doesn’t have time to be afraid. Her fear of dead people is challenged when she is confronted with her first corpse: fat, naked, blue, and covered with Cheerios. And on it goes, through fires, accidents, and domestic crises, until the day Stern sees someone she knows become a virtual vegetable after an EMT rescue. Questioning the value of heroic saves, she begins again to sink into depression, coming out of her funk only after the events of 9/11 make her see rescue workers as a noble brotherhood. In the end, she achieves her goal and closes her account of self-transformation with the joyous announcement: “I am a part of something at last.”
Funny yet moving, a midlife crisis tale with all the elements of a TV movie of the week.Pub Date: June 1, 2003
ISBN: 1-4000-4832-X
Page Count: 240
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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