The Sterns (Way Out West, 1993, etc.), pop culture's Boswells, turn their attentions to more blue-blooded purlieus in this deeply satisfying chronicle of a year spent on the dog-show circuit. Some time back the Sterns owned a purebred dog, a flatulent bulldog, Richard by name. Richard was entered in a local show. Richard savaged the judge's trouser cuff. So much for Richard's championship season. No matter, the Sterns retained their fascination with the show ring, and this book is the result. Attaching themselves to Mimi Einstein, breeder and shower of bullmastiffs, they sought maximum immersion in the dog show ``subculture with its own rules, lingo, and codes of behavior.'' The Sterns tour with Einstein from small venues to large, from the early season Eastern shows, then the grueling summer show in Texas, to the apex of the circuit at the Westminster Dog Show in New York City, with many a stop in between. They detail the competitive maneuverings of the owners and handlers, breed trends, the search for bodily perfection according to the American Kennel Club standard. They delve deep, exploring the ``original intent'' of the breed (bullmastiffs have no white in their coat, for they were bred to be guardians of the night at country estates, where a splash of white might give them away) and how show dogs ``express the soul of the culture at large,'' a Stern specialty for any topic they tackle. There are forays into poodleland (how about a Royal Dutch clip and high-teased topknot?) and Canary Island Gripping Dog turf (they'd as soon be at your throat as look at you), but mostly the Sterns lavish their attentions on Einstein's dogs. Readers will emerge with a real feeling of kinship with Sam and Rusty and Mugsy Malone. Droll, warm, and impeccably researched—another Stern treasure. (Author tour)
Pub Date: Feb. 1, 1997
ISBN: 0-684-82253-9
Page Count: 192
Publisher: Scribner
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 1996
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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