by Jane Sutton ; illustrated by Kate Chappell ‧ RELEASE DATE: Jan. 7, 2025
Intergenerational love at its most tender and sweet.
It’s a wonderful day for Ruthie and Zayde.
Mom and Dad are helping Bubbe prepare for the Passover seder, so Ruthie is ready to help make Zayde’s first solo babysitting experience a success. Mom has provided an itemized list of activities for Zayde to keep Ruthie occupied, wear her out, and get her ready for the seder. The activities include preparing a Passover art project, shopping for the seder, having fun in the playground, searching for and discarding breadcrumbs, and more. Since Ruthie does need to be awake for the long night ahead, a nap is required. Each numbered item appears at the top of a page and is followed by colorful illustrations that joyfully enhance the text and demonstrate that while they complete every task on the list, it might not be the way Ruthie’s mother intended. Ruthie pushes Zayde in the shopping cart at the grocery store, Zayde does a handstand and whooshes down the slide at the playground, Zayde needs Ruthie to pull him out from under the sink while they’re cleaning, and Zayde is the one who has the nap while Ruthie is wide awake. At Bubbe’s house, the seder table is set, Zayde leads the seder, and diverse friends and family are on hand to make it a special night of good food, traditions, and songs. Readers will find themselves giggling with delight at the antics and wanting more of Ruthie and Zayde. The protagonists are light-skinned.
Intergenerational love at its most tender and sweet. (about Passover) (Picture book. 3-9)Pub Date: Jan. 7, 2025
ISBN: 9798765619889
Page Count: 24
Publisher: Kar-Ben
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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by Lou Beauchesne ; illustrated by Kate Chappell ; translated by Susan Ouriou & Christelle Morelli
by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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by Alastair Heim ; illustrated by Michelle Tran
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by Alastair Heim ; illustrated by Sara Not
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by Alastair Heim ; illustrated by Matt Hunt
by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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edited by Eric Carle
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edited by Eric Carle
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by Eric Carle ; illustrated by Eric Carle
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