by Jane Yolen ; illustrated by Mark Teague ‧ RELEASE DATE: July 2, 2024
Another resounding success for this series.
A new dino-centered collaboration from Yolen and Teague is definitely a sweet treat.
In rhyming text, Yolen amuses by wondering how these trick-or-treating reptiles would carry their candy and speculating on some unwelcome behaviors (“Does he stomp on the pumpkins and throw around bits?” “Does she grab for more treats and then make a big mess?”) before asserting that dinosaurs would never! Encountering the dinos on a suburban street, diverse costumed kids initially look startled, then pleased when the creatures show they know the ropes. Cadence and clear language carry readers smoothly along to a message of loving reassurance. Teague depicts lesser-known genera, including Massospondylus, Jainosaurus, and Labocania. As in the other titles in this extensive and popular series, he combines accuracy with rampant imagination and artistic flair; the dinosaurs have authentic body shapes, but since we know little about what their skin or feathers looked like, he freely plays with pattern and color. Teague’s precise, hyperrealistic reptiles walk—or strut—upright. They sport swaths of lime green or electric blue and purple, their scales embellished with flamelike streaks, bands, stripes, dots, and studs. The gentle words, absurd humor, and elegant artwork remind readers about social norms. Children can see themselves in these books and will enjoy the unthreatening proximity to some scaly but fascinating prehistoric predators.
Another resounding success for this series. (Picture book. 4-8)Pub Date: July 2, 2024
ISBN: 978-1338891980
Page Count: 48
Publisher: Scholastic
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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