Trupp, a white, furry, catlike animal from a mythical, mountainous region, decides to see the world. Taking the clothes from a scarecrow for a disguise, and befriending a raven in the process, he hops onto a freight train, and arrives in a polluted urban setting. There are the familiar trials of the noble savage in a modern city: He is chased out of a fountain, yelled at for eating bread crumbs intended for birds, and winds up in a bad part of town. A homeless woman—the only person who recognizes him for what he really is—takes him under her wing. After a sample of her life- -a violent encounter, a meal in a back alley, a night spent in the park—Trupp decides it's time to go home. A seemingly moralistic story in print is raised to the level of gripping drama by the pictures. By wielding a brutal perspective and juxtaposing grainy detail in the foreground with shallow depth of field, Cannon (Stellaluna, 1993) gives her illustrations the look of photographs, except that her hero is imaginary. Since it can't be photographic realism, perhaps it's photographic magical realism? Viewing these pictures approximates the thrill of watching a movie, even one that is full of clichÇs. By reproducing this effect so powerfully, Cannon creates a unique reading experience. (Picture book. 4-8)
Pub Date: April 1, 1995
ISBN: 0-15-200130-1
Page Count: 48
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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